The Nap played its final performance on November 11, 2018

“A delicious, hilarious new comedy by Richard Bean.” The New York TImes

“A WINNER!” Entertainment Weekly

“DELIGHTFULLY LOOPY, under Daniel Sullivan’s smooth-as-felt direction.” Variety

“Easily the funniest new play on Broadway. Go see it!” New York Stage Review

ABOUT

By the author of the rollicking, award-winning Broadway comedy One Man, Two Guvnors, The Nap is a very funny look at the world of snooker – the British version of pool.

Dylan Spokes, a fast-rising young star arrives for a championship tournament only to be confronted by the authorities warning him of the repercussions of match fixing. Before he knows it, Dylan’s forced into underhanded dealings with a cast of wildly colorful characters that include his ex-convict dad, saucy mum, quick-tongued manager and a renowned gangster, to boot. It’s a fast-paced comedy thriller where, in an exciting twist, the tournament unfolds live on stage. In its British premiere, The Guardian raved, “Ingenious,” The Observer cheered, “Outrageously funny,” and The Daily Mail called The Nap “brilliant and terrifically inventive.” Directing is Tony Award® winner Daniel Sullivan.

“A delicious, hilarious new comedy.”- The New York Times

“A WINNER!”- Entertainment Weekly

VIDEOS

PHOTOS

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

Photo Credit: Joan Marcus

News & Reviews

The New York Times

Great Pretenders Pocket Laughs in ‘The Nap’ READ MORE

Broadway.com

Game On! See Ben Schnetzer, Alexandra Billings & the Cast of The Nap Pose in the Broadway.com Portrait Booth READ MORE

Out.com

Alexandra Billings Talks Playing Transgender Mafiosa in Broadway's ‘The Nap’ READ MORE

VIEW MORE

“Easily the funniest new play on Broadway. Go see it!”- New York Stage Review